A eulogy for two guard dogs in a season of fear

A photo of Coco, our German Shepherd and Fezzik, our Great Pyrenees.

I’m not a dog lover. My wife and both daughters and youngest son are, but I’m not. I’m a dog tolerator for their sakes. But circumstances a little under two years ago led me to a newfound appreciation of them. Our quiet little town, which typically goes for years at a time without a single homicide, was suddenly struck by a freak quadruple murder. Four college students were stabbed to death in their sleep. Everyone had questions. The university allowed students to leave to travel back home if they were scared. More than a few really were as several of the victims had large circles of friends and the apartment they were murdered in sat in the middle of a neighborhood densely populated by other students. I did not personally know anyone involved, but the police did come by my office the next day scouring the town for security footage that might offer any clues about the killer.

A few weeks before this I began having seemingly inexplicable panic attacks in my sleep. I had never dealt with this before and they were truly terrifying and debilitating – far worse than any sickness or stress I had experienced before. I barely slept for several days. After some phone calls to back home I discovered that, though it was rarely discussed, the condition runs in my family. My father started to have very similar panic attacks in his mid forties. His father, (my grandfather), also had them in middle age. It may have gone back further than that. Now it was my turn. As intellectually comforting as this was, the fear of panic setting in when I tried to lay down was still a constant thorn in my side every night.

Right in the middle of that season, on top of the invisible personal struggle, was piled the possibility of a slasher psychopath lurking just down the street. Or at the very least, he really WAS lurking just down the street a few days prior. I don’t think that would have kept me up at night during normal circumstances, but in the depths of my shell-shocked psyche, it was not helping one bit. But then, to my surprise, something assuaged my fear: our two woofers.

The first was a huge walking carpet Great Pyranese named Fezzik after the giant from The Princess Bride. He was not a brave dog and had never hurt a fly, but he was big, well over a hundred pounds, and he had a deep bark that was genuinely adrenaline-inducing if you weren’t expecting it. The second was a German Shepherd named Coco. Even though he was the runt of the litter, he had the mind of a guard dog and keen ears, and he looked like a proper police dog. Without fail he would assert himself to all at the door, be it the mail woman, UPS man, or the piano teacher.

With these two sleeping by the door every night, it became clear that if the killer came anywhere near our house and encountered these two beasts, he’d promptly crap his pants and flee!

I speak about the two dogs in the past tense because they are both gone now. The big one had bad hips and had to be put down a few months ago. The German Shepherd had a stroke or some kind of spinal injury and had to be put down this morning. I’ve been around a lot of dying animals throughout the years, growing up in a family of farmers, veterinarians, and trappers, but it’s never gotten easy. I’m angry at the two dogs for dying since my family is so sad, especially my youngest daughter. I guess pets are good practice for losing a living human that is much more consequential in the future.

A few weeks after the incident, in the midst of a fury of internet speculation, the police announced they had caught the alleged killer. They promptly flew him back across the country and locked him up in the jail three blocks from my house (oh goody) where (I am told) he proceeded to complain about the lack of vegan food and do whatever he could to cause the wheels of justice to move as slowly as possible. His trial is finally scheduled to start late next year, almost three years after the crime. A few weeks ago they moved him to a jail in the largest city in our state. I guess now that he’s gone, I don’t need the scary guard dogs anymore. I’m sure the Fedex guy’s blood pressure is doing a little better lately. I wish they would have stuck around a little longer though.

Kindlewick Island, New Celtic Acoustic Cover Album

I spent the past year working on this album of acoustic covers of Irish tunes and Scottish ballads. Some of the tunes follow existing arrangements pretty closely, while others I wrote and recorded new string, horn, and guitar parts and tried to give the songs a new twist. I’m pretty happy with how it all turned out.

Liner Notes

I fell in love with Celtic music upon first hearing Enya’s “The Celts” at the age of fourteen. This album is my attempt to cover many of the favorites I’ve discovered over the years, using my own voice and fresh arrangements. My wife and children graciously contributed their own musicianship and encouragement along the way. This work is largely an homage to Jim Malcolm, John Doyle, Pierre Bensusan, and others. Imitation is the sincerest form of flattery.

Matt Jepsen: Guitar, vocals, harmonica, dulcimer
Erin Jepsen: Flute, whistle
Natalie Jepsen: Violin, vocals
Seth Jepsen: Horn, string bass

Track List

1. The Pure Drop
2. The Apprentice Boy
3. Be Thou My Vision
4. Matrix (Celtic Acoustic Mix)
5. The Return from Fingal
6. My Parents Reared Me Tenderly
7. Geordie’s Byre / Galway Piper
8. The Battle of Waterloo
9. Sheebeg an Sheemor
10. Pretty Saro
11. Glenlogie
12. How Can I Keep From Singing?
13. The Wild Geese
14. Sweet Afton

Availability

In addition to the full album as a single YouTube video here, you can find an individual playlist version. You can also find it on SpotifyApple MusicAmazon Music, and all the other usual suspects if you happen to subscribe to one of those. For a free/name-your-price download of the high-quality audio, head on over to Bandcamp. I also have a small handful of nice hand-made physical CDs for sale there.

Books Read / Music Finished in 2023

The number of books read was dramatically smaller this year, close to zero in fact! However, I did finished a lot of music, so I’m going to start tracking that here as well as each song take about as much time (and a lot more effort!) than reading an entire medium-length book.

Books Read

Keep Going, Austin Kleon (fourth time)
A Woman of No Importance, Sonia Purnell
Creed or Chaos?, Dorthy Sayers (partial)
Sourdough, Robin Sloan
Messenger, Lois Lowry

Music Finished

Finished mixing the Dante 1981 Paradiso album and released it. All of it was written and recorded in 2022, but I hadn’t finished editing it all and done the final listening and mixing passes until this February.

For the forthcoming Dante 1981 Inferno album:
Lost in the Dark Woods

For the forthcoming Kindlewick Island (Celtic/folk) album:
How Can I Keep from Singing?
The Apprentice Boy
The Battle of Waterloo
My Parent’s Reared Me Tenderly
Pretty Saro
Sweet Afton

For the forthcoming Kindlewick Island Christmas album:
Lo, How a Rose E’er Blooming

Paradiso

I just finished my second album of music under the Dante 1981 name. It’s an ambient/synthwave instrumental journey through Dante’s medieval conception of heaven. Analog synths and thick chords give way to J.S. Bach counterpoint and live instruments as one gets closer to God near the end of the journey. Interpret that how you will!

Hoping for a new golden age of blogs

This blog was started in early 2007, near the height of the golden age of personal short-form (and occasionally long-form) online writing. Social media platforms buried many of them for a good decade or more, but now with the recent meltdowns at Facebook and Twitter and the increasingly flash-in-the-pan-ness of TikTok and Insta Reels and such, a sizable number of folks have been turning back to something that resembles the old forms! Often this is in the shape of something like a Substack newsletter, but they function very similar to the way the old blogs did with a smaller dedicated base of readers with more thoughtful interactions in the comments. I hope this trend continues! I’m not the only one! I believe it’s much more healthy for thinking, for debate, for intellectual property, and for internet archival longevity among other things.

Books Read in 2022

Keep Going, Austin Kleon (third time)
Paradiso, Dante (Sayers/Reynolds translation)
Echos of Exodus, Alastair Roberts and Andrew Wilson
Amusing Ourselves to Death, Neil Postman
Richard Hooker: A Companion to His Life and Work, Brad Littlejohn
Planet of the Blind, Stephen Kuusisto
The Evangelical Movement in Ethiopia, Tibebe Eshete
Neuromancer, William Gibson
La Vita Nuova, Dante (Reynolds translation)
Haben, Haben Girma
Liturgy of the Ordinary, Tish Harrison Warren
Advent, Fleming Rutledge (partial)
Being Consumed, William T. Cavanaugh

Manufactured (Holy) Moments

Lasers an lights fill up the night at the Tomorrowland electronic music festival. People in the crowd raise their hands.

One of the online music magazines I enjoy reading pretty regularly is Attack. A recent article from them titled “Manufactured Moments” laments the loss of the true sublime dance club experience and how festivals and promoters armed with elaborate laser shows, glitter cannons, and pyrotechnics try to artificially recreate or induce that elusive feeling. At the center of the discussion is a grainy 40-second video from a club in the UK from 1990 that surfaced recently showing a throng of ravers going absolutely bonkers when the beat drops.

What’s of interest to me is that I’ve read nearly this exact same article many times before… about church! This sort of thing is so common in Christian circles that it could almost be its own genre. One of the most memorable examples was a long thread (sorry, I don’t have the link) where the author pines for their early days in the Anaheim Vineyard Christian Fellowship. At the center of the discussion is a fuzzy hour-long tape recording from a worship service from about 1983 where a large crowd enthusiastically sings praise choruses. The comment section is filled with people who were there or had a similar experience, lamenting how the current songs and lighting and routines from tightly-produced groups like Hillsong and Elevation are nice in some ways, but just don’t capture that original energy. Not even close. They are trying to manufacture a moment and it’s just not nearly the same. The Holy Spirit seems gone.

Lest you be tempted to think this is just something charismatics think about, I’ve seen more than a few high-church liturgical types write their own versions of this story. It usually boils down to something like “things were really magical back when we (fill in the blank: chanted the psalms, burned more incense, knelt during the eucharist, listen to brilliant teaching from father so-and-so, sang the long version of the Sanctus, etc.), but now the worship service has gone to pot with all this modernization and I’m just not feelin’ it anymore”. The Holy Spirit seems gone.

A black-and-white photo of a man kneeling in a large church. Sunlight steams in through the ornate high windows.

I think we can learn something from both people telling this similar story. Quite simply, many of the most important things that happen in a person’s life… you just had to be there to get it. It really can’t be replicated, and it’s disingenuous to even try. The miracle of your conversion, or the way God met you in a certain place and time or surrounded by a particular community, is not replicable, nor should it be. Everyone else is going to have to live their own story… including the older version of you!

At the same time, the good liturgist or worship leader knows that the church service IS fundamentally something we manufacture. And that’s OK. It’s good to reinforce our faith with traditions, especially the proclaiming of the word and the administering of the sacraments. And we should do that as well and as thoughtfully as possible. This is how we, as humans, in time, in the rhythm of the week, and the seasons, can remember what God has done for us and can worship him, which is good and right.

So I don’t fault Hillsong for trying to produce really polished worship music with highly trained and skilled performers and technicians. But I do fault anyone who goes along with the marketing that this can make the magic happen. It could be a good thing but it’s been ridiculously oversold and overrated.

At the same time, I don’t fault the liturgists for wanting to reform the traditional worship service, or even to spend a lot of money on some new stained-glass windows. But I don’t think they should oversell or overrate these good things either. God meets us in and around these things, and often in the hours when we are away from the church service altogether. Let us ask him to increase our faith that we might be steadfast whatever situation we find ourselves in.

Shazam has an ambient problem

The Dante’s Purgatorio concept album I finished a few months ago has an introduction track on it that functions as a slow-building cinematic ambient drone piece before the “real” songs start. It’s been interesting to see these it show up in relatively high numbers on the stats that Apple (who owns Shazam) sends out each week. Here is what last week’s report looked like:

At first glance, it’s “Wow! 15 people were listening to my songs last week!” But then I look at the breakdown. Nearly every time it looks like this:

Those tracks, the Prologue, Epilogue, and “Night in that Place” are the three ambient tracks on my album. They always constitute the bulk or entirety of the Shazam stats. Was some guy in Warsaw really listening to it? I’m certain they were not. During that same time I had virtually zero streams on of any of those tracks on any service. Nobody touched any of the tracks on Spotify, Amazon, iTunes, Tidal, Bandcamp, YouTube, etc. It seems clear to me that Shazam is mis-identifying the track.

I can verify this from the other direction as well. There is a coffee shop in town I frequent that often plays ambient and “chillout” music in the background. I think they might be playing some Sirius XM radio playlist. Who knows, but I will often try to Shazam the tracks from my phone for fun. What do I find? Well if the song has vocals or a clear melody it usually picks it up right away. If it’s ambient though… well, it will think about it a while and then give me some obviously wrong answer. So I try again. A different wrong answer. Sometimes I’ll Shazam it eight times in a row and get eight different answers! It has no clue.

I’m pretty sure that’s what’s happening with my ambient tracks as well. Whatever Shazam’s sonic analysis algorithm is looking for, a pile of droning synths just breaks it completely. It can’t make heads or tails out of what it’s hearing, so it just throws out garbage matches to the listener in desperation.

I’m sure that improving this is really challenging and some developer at Shazam has probably been tearing his hair out trying to figure out how to improve the matching for this sort of thing for years. I’d love to talk to that guy actually. It would be really interesting to hear about how they’ve tired to improve it and what hasn’t worked (yet). Someone might use this as an opportunity to dunk on ambient music as being trash, but I don’t think so. It’s qualities are just difficult for computers to discern.

In the meantime, if you produce ambient or cinematic music, you might want to not get too excited about your Shazam stats, alas.

(This post was prompted by seeing the weirdness in my own Shazam stats, and by reading a recent newsletter where Robin Sloan was excited about the Shazam stats for his ambient project The Cotton Modules. Sorry to be a downer Robin! Love your work.)

The time-honored tradition of proving your political opponent is literally the Anti-Christ

I remember numerous people declaring that former US president Barak Obama was probably the anti-christ spoken of in the book of Revelation. I heard it regularly from different corners during his eight years in office. Then, when Donal Trump was elected, I started to hear the same thing about him. A quick google search shows that numerous books and articles were published about both of them. Here are a few of the covers:

Pictures of books declaring Obama or Trump to be the anti-christ.

I had assumed this was a more recent phenomenon driven by the sort of dispensational millennialist eschatology that is popular in parts of America. Reading Dante today though, I discovered a much older case of it!

In Canto III of Paradiso, Dante meets Constance, mother of Frederick II, one of the last great Holy Roman emperors. Though she is in heaven, she is remembered for breaking her vows to be a nun and leaving her convent to marry.

It was believed in Dante’s day that she was at one time a nun and had been taken from the convent against her will, in order to be married to Henry VI. The marriage took place in 1185, when Henry was 22 and Constance about 32. Their son was not born until nine years later. His enemies, who sought to identify him as the Anti-Christ, seized on the story that his mother had been in a convent, for according to an ancient prophecy the Anti-Christ would be born to an elderly nun.
-from the Sayers/Reynolds commentary on Paradiso III.109

I don’t know where this idea that the anti-christ would be born to an elderly nun came from, but it’s not so different than contemporary ideas like that The Mark of the Beast being a computer chip implant. Who knows. Still, in the middle ages having your first son at the age of 41 would have indeed been a bit unusual so it apparently served as a good enough excuse for Frederick’s political opponents to cast shade on him about 800 years ago.

My experience with small-time music promotion

There are SO many voices telling you that as an independent musician you MUST promote your work on every freakin’ social media platform. So I gave it a shot for once when I released my Dante 1981 Purgatorio album back in December 2021.  It was tiring to keep everything updated! Here are the rough results for anyone curious:

  • Soundcloud: Nothing but bots and spammers.
  • Facebook: Absolute ghost town.
  • Twitter: Almost nothing.
  • Bandcamp: Dead quiet.
  • Numerous playlist submissions: Zilch
  • Website: Nothing.
  • Instagram: Some activity!
  • YouTube: Some activity!
  • Newsletter: About 50% looked.

Verdict from my small personal experience:

  • YouTube is the easiest way to reliably share new stuff. It doesn’t require a streaming service.
  • Instagram seems by far the best way to get your stuff in front of strangers, at least in a fleeting way.
  • A newsletter with an email list of personal friends is by far the best, BUT even then, expect a lot of people to just be too flooded with information to actually read it or click through. Also, despite people personally subscribing, several reported it still ended up in their spam folder.

I can see why an artists would want to sign to a label, even if they lost a big chunk of revenue, just so they could outsource all the hype-machine stuff to someone else.